Looking at his photos makes you feel good. Especially the ones of his personal series “Full Colour”. They shine, they’re partly funny or simply beautiful and full of colors in particular.
Will Sanders, a photographer from London, created his personal project in which he captures the colors in the streets in wonderful compositions. He shoots when he sees the perfect image – very often his photos are full of dynamic, with people who sometimes look a bit surreal and situations that may seem a bit bizarre. His message is to show that our everyday lives often seem to occur like in a fantasy world. As his photos tell us, he went to many places all over the world.
Since March 16th the book about his project is available online on his website for 30 pounds. And, corresponding to his theme, you can choose between three different colors for the cover of the book. There’s a blue, yellow and red one.
Obviously spring comes with a lot of success for SIGMA, about which we can all be. As announced a couple of days ago, the SIGMA sd Quattro series won the best prize at the Red Dot Award in the category Product Design: the “Red Dot: Best of the Best”. But that’s not all – the SIGMA Cine lenses also received the award “Red Dot”.
There’s some exciting news for all Sony photographers among you! The MC-11 mount converter makes it possible to use interchangeable lenses with SIGMA SA-mounts and SIGMA EF-mounts on camera bodies with Sony E-mounts.
As you can certainly remember, the SIGMA Art 50-100mm f/1.8 DC HSM lens has been tested twice already under different conditions. Here comes the third practical test. First I tested the lens during a visit in the zoo, another time during a walk at night as I was searching for the colorful shining city lights I wanted to capture on my camera’s sensor.
Now I wanted to find out more about the image quality of the lens while shooting in the daylight in the early afternoon under a cloudy sky in a room with big windows. Moreover, in this article I will describe many advantages but also some minor drawbacks of the lens from my point of view and experience.
For a couple of years now I’ve been living in the city. And it’s always a great surprise for me when from one day to another spring expels winter. A day earlier everything was still completely gray – the houses, the streets, the sky, and the clothes of the people who rush to make their errands in order to get back into their warm and cozy apartments again. And on the next morning the sun is shining, wearing your winter coat another day isn’t an option any longer and like a fairytale colorful flourishing bushes and trees shine through the window, encouraging us even more to take your jeans jacket and sun glasses out of your closet.
As I already mentioned wildlife photography in my opinion counts among the key disciplines in photography. Animals hardly ever stand still, they don’t care about how you’d like them to pose, they’re unpredictable and mostly don’t want to cooperate. That’s particularly true with wild animals as, besides the above mentioned facts, they also tend to escape from photographers or even attack them.
Photographers specializing in wildlife photography fascinate me for this reason. You often read interviews about photographers using their own tricks and techniques to get very close to the animals without disturbing them in order to take pictures in really natural scenarios and behaviors. Wildlife photographers often say that it doesn’t matter how often they track an animal in the wilderness as the moment when they take the picture and face the animal is always something exceptional and awesome.
A recent and much-discussed video by National Geographic makes us understand the special and magical experience of a wildlife photographer in a better way. The video is about Michel d’Oultremont, a Belgian photographer who explains the pursuit of the perfect photo of a wild animal. The video makes clear that excelling as a wildlife photographer means hard work and a lot of patience in particular. Solitary hiking at daytime and at night and waiting for hours in the cold or in the heat, not knowing whether, at the end of the day, you’ll be rewarded with a great photo or not…
In any case this video has increased my respect for all those who dedicate themselves to wildlife photography!
You can find more pictures taken by Michel d’Oultremont here.
Surveillance, big data and the Transparent Man – keywords that have been popping up very often in the media in recent years.
They are often accompanied by articles on Facebook, Google & co who keep observing all our moves and collecting data in order to make profits in the best possible way. Names like NSA and Edward Snowden are also known to most of us and do not really make us feel that good.
As many of you may have noticed I keep carrying two lenses with me most of the time. These two lenses have never disappointed me and they are a good choice at every opportunity. Of course, I’m talking about the SIGMA 50mm F1.4 DG HSM | Art and the SIGMA 24-105mm F4 DG OS HSM | Art. And for this lens review I decided to put the fairly reliable SIGMA 50mm F1.4 DG HSM | Art to the acid test. Therefore I’ve written two informative reviews. For all those among you who are technically experienced and who want to keep informed about all aspects of their lenses I can only recommend reading these reviews. I’ll briefly explain them and tell how well my lens fared.
TESTING THE AUTOFOCUS:
A very essential and meaningful test relates to the autofocus. Many lenses have minor or major errors with their autofocus right from the beginning. These errors can be deviations to the back or to the front, which is called back or front focus. On many cameras you can manually adjust the autofocus in the menu to a certain degree.
The autofocus can certainly be tested for every picture you take. You can check whether the focus is all right or too much to the front or to the back. But of course there’s also a more exact and standardized way of testing this. The company LensAlign produces equipment that facilitates these kinds of tests. For autofocus tests you shoot with an open aperture in order to check out the result in a much better way. The open aperture makes the level of sharpness smaller and allows you to define the focus point in a better way.
An idea that became an experiment. The desire to move a bit further away from the glossy perfection of an Instagram account and to get a bit closer to the essential…
That’s the way Matt Titone felt as he launched his very special art project – he decided to send some single-use cameras away to some of his favorite photographers. They were supposed to create pictures – without being able to make any configuration at all.
Many participated at this experiment. Titone presents the outcome in the “Think Tank Gallery” in Los Angeles in his photo exhibition titled “27 Frames” .