Today I’d like to show you some works created by Australian photographer Murray Frederick. Only recently I’ve come across his name, but I’m absolutely thrilled by his creative work. He studied economics in Sydney but after five years of traveling (mainly in the Middle East) he began to finally focus more on photography and he mainly taught himself a large part of this art.
Frederick, however, isn’t only known for his photographic achievements. His first 30-minute documentary film “Salt” received 12 awards and international fame at film festivals in his country and abroad.
Over the years his movie took him again and again to Lake Eyre in Central Australia.
Hi, dear photography fans! For quite some time I’ve been following the Fotogenerell Blog and just like Tamara and Beatrice I have a great passion for photography. That’s why I was more than happy when they asked me if I wouldn’t like to write a guest commentary. Well – I simply couldn’t resist and would first like to introduce myself:
Since my early childhood, the camera has been my constant companion! On my pathways I want to capture moments by the means of photography, tell stories and leave space for some interpretation. Capturing emotions first led me to concert photography. Nowhere else can short moments be captured in such a thrilling and expressive way as in this field. In later years, my focus shifted into other directions as well, and so I freely express my creativity with photo stories, landscape and architecture photography as well as macro and portrait photography. When taking portrait photos in particular I want to shoot the persons as naturally as possible and reveal their characters. A comfortable atmosphere as well as good lighting conditions and many other things make a good portrait. For now I’d like to give you some useful tips to create amazing portraits:
The experience that transforms an astronaut’s perspective of our planet Earth and mankind’s purpose and place upon it is referred to as the overview effect. The term was first used by Frank White in 1987. Astronauts, who were lucky enough to make this incredible experience, mentioned a shift of perspective related to our planet Earth and the importance of the actions of human-beings. They spoke about the emergence of a profound understanding of how valuable life and our planet really are and they mentioned a deep sense of connection and a newly discovered responsibility towards Earth and everything it offers.
By chance I happened to come across and got stuck with Zack Seckler . Seckler’s got humor, a lot of humor. You can notice this at first sight. And he’s got an extraordinary image style. His photos express something bizarre, something fantastic. And the colors are creamy like ice cream.
David Uzochukwu, born in the Tyrol, Austria, in 1998, is called a child prodigy in photography. At the age of 18 he already collaborated with Adobe and Instagram, presented his work in New York and was finally discovered by Vogue Italia.
It’s his particular style to combine strong and brilliant colors in wonderful intense tones and special backgrounds given by nature with the fragility of often naked and imperfect bodies. His models symbolize vulnerability and human strength at the same time, arousing different emotions when you look at them. When you look at his photos you get drawn into an apparently surreal world he’s produced and you get carried away by the somber scenes he’s created in his photos.
Ever since I was a child Russia has fascinated me. The reason for this may have been all those old Russian fairytales or the simple fact that, when compared to other parts of the world, I hardly knew or, to be more exact, I do not know a lot about the real Russia.
As a child I imagined Russia as a snowy fairytale land, as a country where people cuddled up in warm furry blankets ride horse-drawn sleighs. As I grew older I kept reading a lot of Russian classics such as Anna Karenina or The Seagull. Of course, I had a very romantic and unrealistic image of Russia in mind, and the older I grew the more I started to realize that things actually weren’t this way in reality. But to be honest, up until today I don’t really know much about life in Russia and I still haven’t been there.
The other day I found this article about Frank Herfort, a German photographer who lives and works in Moscow and Germany.
Adrian and Gidi (Adrian Woods & Gidi van Maarseveen) are two young Dutch artists who are having their breakthrough with a new style in photography. Their only tool is a lot of colorful paper, patience, precision and their camera of course.
Since 2012 they’ve been working together as still-life photographers and since then they’ve been attracting more and more small and big customers. Their popularity is increasing and their style is unique.
After giving you a little impression of the SIGMA Art 50-100mmf/1.8 DC HSM lens on my photo tour in the zoo and the photos I was taking there, today you’ll get the extensive review of this new lens which I promised you. My descriptions and technical information will be highlighted with a lot of pictures I took in the zoo so you’ll get a proper insight into how things work out in practice. With the photos you’ll also receive the metadata to get a real impression. The camera I used was the Canon EOS 600D.
There’s nothing more beautiful than spending your Christmas holidays reading by a warm fireplace, I think. That’s why I was especially happy with the book my grandpa had put under our Christmas tree this year. It’s called “Fotografieren für Blogger – So machst du Fotos mit Klickfaktor“ written by Katharina Dielenheim.
I Fink U Freeky – is probably the most popular video sample by US photographer Roger Ballen, who has been focusing on the remote villages of the white people since he moved to Africa in the 1970s. The dorps consist of poor houses of which he – being motivated by his studies in geology – first took pictures from the outside and from the inside. His probably best known double portrait is called Dresie and Casie.