Not so long ago I could hold the SIGMA 24-70mm f/2.8 lens in my hands. Of course, I couldn’t resist, grabbed it and walked right to the nearest park. The evening sun was stroking the lush green of the summer trees and the meadows and long-necked colorful flowers were blowing in the soft breeze.
It was these photos – soft blue tones, ice and water, the Arctic – about which I’ve recently happened to come across again. Photographs taken by a New Yorkan photographer and environmental activist called Diane Tuft . Since 1998 she’s been reporting on the beauty and fragility of our planet and environment with her camera. Before that she’d rather been focusing on multimedia.
As you could read in one of my previous articles, I’m a great fan of everything related to space. Planets, stars and galaxies – all this has been fascinating me ever since and it always will. Many of my favorite photographers (no big surprise) are those focusing on taking pictures of the nocturnal sky. One of them, whose photos keep fascinating me in particular, I’d like to present you today.
The American Jack Fusco is really traveling a big deal and mainly at night because he primarily takes pictures of the starry skies. For this he climbs on mountains, waits for hours in the cold and travels to the remotest places on Earth. Many of his works have already been published in renowned magazines and newspapers and his time lapse videos have become a hit on the World Wide Web. And deservedly so, because in my opinion his photos are incredibly amazing and compelling at first sight.
On the fotogenerell blog, the SIGMA 17-50mm f/2.8 EX DC OS HSM lens has often received a lot of positive feedback and in my opinion it is one of SIGMA’s evergreens. And this isn’t the case for no good reason – the all-round lens from SIGMA’s promising Contemporary series guarantees what the manufacturer promises. Compared to many lenses from SIGMA’s premium class, the Art series, the lens is very compact and light, which is why I prefer packing it in as a travel companion with the other heavier lenses. To me this lens has always been more than just a good backup – it has taken many of my favorite pictures.
32 nature photographers for 365 days a year. That’s the concept of the Nature Photo Blog and I’m most likely one of its biggest fans. It’s almost become a ritual by now: Every morning when I start my laptop or switch on my smartphone, the first thing I do is to take a look at the Nature Photo Blog or on the Facebook page of the photographers’ community.
Wonderful nature photos from 32 different perspectives, taken in 32 different ways and corners of the world, that’s exactly what I like. The best thing for me is that this often inspires me for completely new ideas and opportunities about how I can approach a subject and how similar subjects can differ from each other in the end.
Winning the biggest photography competition in the world, this mainly means one thing: international fame, recognition and an incredible stage for one’s works. When you count among the ten photographers who are finally awarded with one of ten Sony World Photography category prizes, you know that you’ve successfully beaten thousands of other photographers worldwide. 227,595 photos were submitted this year and one of the lucky winners is 32-year-old photographer Frederik Buyckx from Belgium.
The experience that transforms an astronaut’s perspective of our planet Earth and mankind’s purpose and place upon it is referred to as the overview effect. The term was first used by Frank White in 1987. Astronauts, who were lucky enough to make this incredible experience, mentioned a shift of perspective related to our planet Earth and the importance of the actions of human-beings. They spoke about the emergence of a profound understanding of how valuable life and our planet really are and they mentioned a deep sense of connection and a newly discovered responsibility towards Earth and everything it offers.
By chance I happened to come across and got stuck with Zack Seckler . Seckler’s got humor, a lot of humor. You can notice this at first sight. And he’s got an extraordinary image style. His photos express something bizarre, something fantastic. And the colors are creamy like ice cream.
As you can certainly remember, the SIGMA Art 50-100mm f/1.8 DC HSM lens has been tested twice already under different conditions. Here comes the third practical test. First I tested the lens during a visit in the zoo, another time during a walk at night as I was searching for the colorful shining city lights I wanted to capture on my camera’s sensor.
Now I wanted to find out more about the image quality of the lens while shooting in the daylight in the early afternoon under a cloudy sky in a room with big windows. Moreover, in this article I will describe many advantages but also some minor drawbacks of the lens from my point of view and experience.
For a couple of years now I’ve been living in the city. And it’s always a great surprise for me when from one day to another spring expels winter. A day earlier everything was still completely gray – the houses, the streets, the sky, and the clothes of the people who rush to make their errands in order to get back into their warm and cozy apartments again. And on the next morning the sun is shining, wearing your winter coat another day isn’t an option any longer and like a fairytale colorful flourishing bushes and trees shine through the window, encouraging us even more to take your jeans jacket and sun glasses out of your closet.