Every year the Press Photo of the Year receives the World Press Photo Award. It’s not unusual that this particular award has stirred up some controversy.
SIGMA Germany has started this sunny week with a call on Facebook. Those of you who submit their nicest and most special favorite photo of a structure until this Monday, 20 Feb 2017, 6:00 p.m., can win even twice: According to the advertisement every photo will be published on the Facebook page and can be seen there many, many times. On the other hand the best photo will be awarded a great prize – the SIGMA 18-300mm f/3.5-6.3 DC Macro OS HSM Contemporary lens.
Here you can learn more about your prize made of glass.
By the way, you won’t find a lot of inspiration on the internet only. If you focus more on this topic, you’ll discover the most beautiful structures even in your everyday routine, on the street, while taking a walk in the city or in nature and even within your own four walls. So open your eyes and your lens cap – and shoot!
Here you can check the official call: https://www.facebook.com/SIGMAFoto/photos/a.112233122161079.17004.112043995513325/1377935508924161/?type=3&theater
A chance I surely don’t want to miss – and I hope neither do you! 😉 I wish you all good luck!
“[we] come from nature.…There is an importance to [having] a certain reverence for what nature is because we are connected to it… If we destroy nature, we destroy ourselves.” – Edward Burtynsky
When you think about how little a human-being is compared to the size of our planet it’s only hard to imagine what great impact we still have. For millennia human-beings have exploited the resources of nature. In the course of time mankind has developed more and more modern methods to reach even more resources. To achieve this new technologies and machines have been created. The number of the natural resources people need for their constantly changing lifestyle is also increasing. We keep changing our planet and leaving traces every day, even if we may not really be aware of it.
David Uzochukwu, born in the Tyrol, Austria, in 1998, is called a child prodigy in photography. At the age of 18 he already collaborated with Adobe and Instagram, presented his work in New York and was finally discovered by Vogue Italia.
It’s his particular style to combine strong and brilliant colors in wonderful intense tones and special backgrounds given by nature with the fragility of often naked and imperfect bodies. His models symbolize vulnerability and human strength at the same time, arousing different emotions when you look at them. When you look at his photos you get drawn into an apparently surreal world he’s produced and you get carried away by the somber scenes he’s created in his photos.
Whoever has been on vacation within the last ten years must have noticed one obvious trend –cameras and smartphones are everywhere. Sometimes, when visiting a spectacular or meaningful place, all you encounter are people experiencing it through their lenses or screens.
I’m not one to judge here, because I regularly catch myself doing the same. I wouldn’t want to miss my photo memoirs, but one thing for sure, whenever I see scenes like that, I wonder if this whole, “capturing the moment on photo or video”- thing didn’t get out of hand and it might rob us from the real experience instead.
Ever since I was a child Russia has fascinated me. The reason for this may have been all those old Russian fairytales or the simple fact that, when compared to other parts of the world, I hardly knew or, to be more exact, I do not know a lot about the real Russia.
As a child I imagined Russia as a snowy fairytale land, as a country where people cuddled up in warm furry blankets ride horse-drawn sleighs. As I grew older I kept reading a lot of Russian classics such as Anna Karenina or The Seagull. Of course, I had a very romantic and unrealistic image of Russia in mind, and the older I grew the more I started to realize that things actually weren’t this way in reality. But to be honest, up until today I don’t really know much about life in Russia and I still haven’t been there.
The other day I found this article about Frank Herfort, a German photographer who lives and works in Moscow and Germany.
Konsta Punkka. In our area quite an unusual name of an unusual 21-year-old guy from Finland. In journals and magazines as well as in diverse articles and online blogs he’s been celebrated as an animal whisperer with a camera and as a wildlife photographer who can look into the soul of an animal for a couple of months now. His Instagram account reflects the success of the subtle emotionality that characterizes Konsta’s wildlife pictures as it currently has 940,000 followers – a number that’s constantly growing.
“Photography is a strange phenomenon. In spite of the use of that technical instrument, the camera, no two photographers, even if they were at the same place at the same time, come back with the same pictures. The personal vision is usually there from the beginning; result of a special chemistry of background and feelings, traditions and their rejection, of sensibility and voyeurism. You trust your eye and you cannot help but bare your soul. One’s vision finds of necessity the form suitable to express it.”
Inge Morath, Life as a Photographer, 1999
As some of you may already know, the American TIME always publishes some “best of” lists at the end of every year. I love taking a look at such lists and getting inspired by them. At least when it relates to a category which I also have access to! 😉
For example I got one or another idea from the category “best of” wildlife photos and also tried shooting photos similar to these “best of” landscape photos. One category that I, unfortunately, can’t try out is the “Best of Space Photos of 2016”.
“Small kids & big dogs” is the title of a heart-warming photo project on which Andy Seliverstoff has been working for some time. In this project he wants to show the connection of little human-beings with their pets.